8 x 10 in
Oil on Canvas Panel
Since the holidays is around the corner I wanted to paint a festive theme. Some people might argue pumpkin is not very festive for this time of year, which is a valid point but I think the colors are fitting. I want to thank everyone who stops by my blog and takes the time to look at my work. Thank you for doing so. I enjoy sharing my process and thoughts on painting. I know the journey of learning this difficult medium can be long and stressful, if I can share my knowledge to help some people with their journey then I feel I have accomplished something. I am so grateful for the artist I reached out to when I started out on my journey for helping me. I wanted to create a blog where I can do the same and share my knowledge as best as I can. We are all on the same boat trying to decipher this complex language of painting. Thank you everyone and Happy Holidays!
I started with a thin application of raw umber for the drawing stage. Once the drawing is complete I paint the background and wooden board. I keep colors general in this stage and really thin.
I start painting in darker value forms to the wooden board. Once that is complete I paint in lighter value forms.
Once the wooden board is complete I start painting in the pumpkin. I first lay in a thin application of the general values, somewhat a big form modeling stage. I go back and forth with the brush without lifting it, I keep the pressure pretty light to control the values. Once that stage is working well I move onto the smaller middle to darker value forms. I apply the paints a little thicker to cover the thinner application but being careful of not getting to thick. I am also conscious on the pressure I am applying to the brush. At this stage I start dabbing the brush for the areas that need finer rendering and when the edges need to get softer I go back and forth with the brush with a very light touch. I like to go back and forth with dabbing and keeping the brush on the canvas. Usually in the later stages I tend to lightly render the areas by dabbing on the brush and then going back and forth with out lifting the brush. This approach allows me to control the values and the level of rendering, it also gives me options with the type of textures I am trying to get.
I then paint in the middle to lighter forms in the pumpkin. I apply the same rendering approach as mentioned above. Once the pumpkin is complete I start painting the gourd. I first paint the big form modeling by painting in the general values wrapping around the form. At this stage I am not worried about the smaller forms or "details". I am just worried how the value and chroma wraps around the form.
Once the big form modeling is working well I then paint the smaller middle to darker values forms. I then do the same with the smaller middle to lighter value forms.
I hope everyone has a wonderful holiday! Cheers!