"Pumpkin & Gourd"
4 x 6 in
Oil on Canvas Panel
I wanted to stay on the theme of gourds and include a pumpkin. I couldn't just leave the gourd by itself, included the pumpkin as a central focus with a dominating presence. The story can go many ways when reading into the painting, its definitely behold of the viewer.
I started with a dry brush approach by just using raw umber and no mediums. In this stage I want to get the drawing as close as I can get it. When I start painting I want to make sure the drawing is as close to it as possible.
Once the drawing is complete I painted in the background and wooden base with its local colors. Once I painted the local colors in I painted the lighter values in the wooden base to give it more form. I want to take the wooden board to a close finish this will allow me to concentrate on the pumpkin and gourd and now worry about coming back and finishing it.
Once the wooden board is complete, I started to lay in local colors on the pumpkin and gourd. I apply a thin coat of paint trying not to go thick, remember fat over lean. In this stage I also paint big form modeling with the local colors. This allows me to concentrate how light wraps around the form. I am not worried about the smaller forms or "details" just how light wraps around the form. I am also keeping the values in a middle tone, not going to light or to dark. I'll apply the dark's and lights in the smaller form stages. I like to spend a lot of time in this stage getting it right, if it works well in this stage then the subsequent stages will go by smoother.
Once the local colors are working with the big form modeling, I then start to paint the darker smaller forms. I start to apply the darkest tones as well in this stage which will make certain sections look brighter.
Once the darker smaller forms are complete I then paint the lighter smaller forms . I repeat the same process as I did with the darker forms by putting in the lightest values.
Hope you enjoyed this one, thanks for stopping by!