14 x 18 in
Oil on Linen
This is my latest still life painting (not an alla prima painting), its of oranges surrounding this beautiful rustic tea kettle resting on a geisha blue cloth and a wooden stool peaking through. To say I had fun painting this one would be a complete understatement, I wanted to control and manipulate a bit the lighting pattern in my painting. One thing is to copy from life the other is enhancing what you'r painting and make it your own. I had this gold frame for a while and glad I was finally able to create a painting worth of it.
I started with getting the setup just right and positioning my canvas to a close sight to size copy I can get to.
I did the drawing in raw umber, concentrated in simplifying the shapes as much as I can and positioning them just right.
Then did a whole underpainting in raw umber, and cremnitz white. This allows me to get the tone I'm going for and play with the lights a bit. I usually don't do this when starting a painting but wanted to try something different this time. This is also good to do if you haven't prepared your canvas with a ground, it gives the linen some tooth.
I started to paint the blue cloth and oranges, as you can see I had to get other oranges because they started to go bad and change colors. There are many tricks you have to improvise when painting from life especially with still life's pertaining to fruits and vegetables. This is the last picture I took of the process and apologize for not taking more. Basically I worked on each section to a finish and brought the whole painting to a finish by repeating this process. The process I use for my alla prima's I applied to this painting, I saw how easier it was to achieve difficult transitions in certain areas and have a unity throughout the finish of the painting.
Just a reminder to everyone you can sign up for my new lesson on how to paint "Pink Roses". Here's a trailer for it: