"Forelle Pears 2"
10 x 8 in
Oil on Canvas Panel
After a well rested weekend with friends, I'm ready to paint today and continue the theme from last sessions alla prima. I really enjoy painting this red cloth it can be tricky to paint because of its brightest value, one can easily mix white into it and it turn pink instead of bright red. These pears as stated in the previous post go well with the red cloth. As you may have noticed already with my alla prima's I enjoy trying to paint texture, painting these pears definitely gave me a run for my money pertaining to textures. I do enjoy painting smooth surfaces and getting subtle value transitions but I enjoy more trying to paint texture. Texture definitely takes painting to a different realm, one can feel the surface of the object you'r painting, it gives the impression as if the paintings alive and breathing. Going beyond just trying to over blend every section of the painting, closely observe the particular object you'r painting and try to paint the texture it has, doing so will give a hint of life to the painting.
I wanted to let you guys know that I'll be doing a portrait painting this Saturday at Art Resource Gallery in Edina, Minnesota. I'll be doing the painting from a photo, I wish it can be from life but the sitter is 6 years old and the lady who's wanting me to paint the portrait says he wouldn't sit still. It'll be fun either way and excited for it, I also hope to be done with my largest still life I've ever painting. Hopefully I'll be done with it and have it there for the painting demo.
I started with the usual dry brush approach using no mediums and a bit of raw umber on the brush. After the drawing is complete I filled in the background and red cloth, I started with just the general colors and big form modeling. For the background I used ultramarine blue, naples yellow and titanium white. Colors for the red cloth were cad. red light, naphthol red and ivory black. At this stage I'm concerned with just modeling the form, having the light wrap around the form and keeping the chroma as light as I can in the lighter areas.
After the big form modeling is complete I started to state the smaller forms, I like to break this stage into two sections. The first section I state the darker values with its specific forms. Once that's complete I state the lighter values with its specific forms.
Once the red cloth is complete I start to state the pears with its general colors and big form modeling. The colors I used for this stage were naphthol red, cad.red light, cad.yellow light, naples yellow, viridian and ivory black. When the big form modeling is complete I state the smaller form modeling, again first starting with the darker values and their specific forms.
Then I state the lighter values with their specific values and highlights, I also state the stems when the pears are completed. After the stems is complete I go back around the whole painting and see what needs a finishing touch, after doing that the painting is complete. I hope you guys enjoyed this one, thanks for stopping by and viewing!