Plein Air Painting

 

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"Dust"

9 x 12 in

Oil on Canvas Panel

I went up north to Park Rapids, Minnesota for vacation. Every year I go up I always leave saying "I wish I brought my paints with me!", finally I did! I am the first to tell you that painting landscapes have always been a weakness of mine. I do love them I just do not do them enough, maybe once or twice a year I'll get out and paint a landscape. Going to Park Rapids I wanted to change that and at least do a couple landscapes.

Experiencing nature when you're outdoors painting is something that I truly enjoyed. I would recommend everyone to do it as much as they can. With this process I wanted to lay down the tone or mood of the painting right away. After the initial drawing I painted each section with their general tones, not worrying about details just laying in the overall tones. Doing this allows me to see a "rough' draft of how the final will look, it also lets me get the tones down quicker especially for plein air painting. As I stated in my previous post the "rough" in stage does not mean scumbling paint everywhere in a messy way. I am still thinking of smooth transitions, edges and paint quality. At this stage I also keep the paints thin as I will be adding more layers when putting in the smaller forms or "details". Once the "rough" in stage is complete I start section by section in completing the painting, going from darker to lighter forms. I like to make sure each section is to a close finish as I can take it before moving onto the next section. Once all sections are completed I look at the painting as a whole and put the final touches so the painting can be cohesive.

Till next time, cheers!

Saint Paul the Hermit

"Saint Paul the Hermit"

11 x 14 in

Graphite on Paper

It's been a long time since I last posted and apologize for the absence. I have been producing a lot of paintings and drawings which I'll share with you guys soon. I created this drawing for my show at Ciel. Excited to show at this wonderful venue. The show opens with an artist reception from 6 - 8 pm on August 28, 2014.

It was fun breaking this process down which was a little different from my previous process. The left picture shows the initial drawing with key points. These key points consist of width, height, length and shadow placements. The picture on the top right is where my process changed a bit. In this stage I would just go ahead and do big form modeling, instead I skipped that stage and just "roughed" in where the middle, light and darker values are in those key areas. Doing this allows me to get closer to the look I am going for with the whole drawing, kind of a rough draft of what the final should look. It's important to understand though I keep this stage light and not go too dark with my values as they may shift. Just because it is the "rough" in stage does not mean you give up the quality of the drawing, I am still going for subtle transitions and values turning with the form. The third picture, the bottom left, I start working on the smaller forms and bring the first top half to a finish. I shorten my strokes in this stage to get a nice subtle transition in the areas that need them. I keep going from darker to lighter values making sure each form is corresponding to its value relationships. The picture on the bottom right shows the same procedure applied to the beard. Once the beard is complete I look at the drawing as a whole and evaluate my values again. At this stage I put the final touches and call it done!

Thank you for stopping by. Cheers!