"Green Heirloom Tomato"
5 x 7 in
Oil on Canvas Panel
I have not painted these little gems in a while. The color of this heirloom caught my eye right away. They have such intense pure colors. What I enjoy most is the subtle values between the colors from one area to the other, painting that is challenging and rewarding once it's achieved. Painting light wrapping around this form is challenging but very educational to try. After painting this tomato my wife added it to our dinner which was as delicious as it looked.
I started with the drawing stage by just using a bit of raw umber on the brush. Thinking of it as one would draw with a pencil. The pressure you apply to the brush it effects the value and intensity your marking will be. Once the drawing stage is complete I add local colors to the whole painting. This allows me to see how the painting will look in the completed stage with the colors I am thinking of. The next stage I then start to fill in the middle to darker values to all the objects in the painting, from the wooden board to the heirloom tomato. Then I add the lighter value forms to tie everything together. With this technique, especially being in alla prima, one has to has to be careful with the amount of paint being applied from the initial stages. Remember fat over lean, you want to start thin and get progressively thicker towards the finishing. I am also conscious of how many pressure I apply to the brush, as stated before I think of it as drawing with a pen or pencil. The lighter the pressure the lighter the value will be, the harder the value the darker the value will be. This also allows you to control smoother transitions.
Thank you for stopping by and viewing. Cheers!